The Philippine entertainment industry was shaken to its core on December 4, 2025, when the sudden passing of Errol “Budoy” Marabiles—reggae icon, activist, and unforgettable former Pinoy Big Brother (PBB): Celebrity Edition 1 housemate—was confirmed by those closest to him. He was only 54. But even more rattling than the news itself was how quickly and quietly it all happened, prompting questions, grief, and an uneasy curiosity among fans who had followed his journey for decades.
Budoy’s death was announced through a deeply emotional Facebook post from his longtime friend and business partner at Sigbin Haus, a musicians’ bar in Santander, Cebu. With no statement from his family at the time the news broke, the post became the primary source of information—and the silence surrounding the cause of death only fueled more speculation.
“It is with a heavy heart I write this. Today at 3 p.m., my partner at Sigbinhaus and best friend for almost 20 years, Errol ‘Budoy’ Marabiles, suddenly left us,” the partner wrote, attaching a series of photos of Budoy from their years together. “I could write a ton about our good memories, but right now, I feel just so empty and lonely.”
The raw, unfiltered grief in the post brought thousands of reactions from fans and fellow musicians who still couldn’t process the loss. Within minutes, social media lit up with messages of disbelief, sadness, and tributes to the man who had been more than just a performer—he had been a voice, a personality, and a presence.
A CULTURAL FORCE BEFORE REALITY TV

Long before he became a household name due to his stint on PBB Celebrity Edition 1 in 2006, Budoy had already carved out a distinct place in the Visayan music scene. As the charismatic vocalist of Junior Kilat, a Bisaya reggae band known for its energetic shows and witty, culturally rooted lyrics, he built a following that stretched across Cebu, Dumaguete, Davao, Leyte, and eventually Manila.
Their hits—including Kawatan, Ako Si M16, Buwad Suka Sili, and the iconic Sigbin Dub—cemented Junior Kilat as one of the most unique music acts of the 2000s. Budoy’s raspy voice, disarming humor, and unmistakably Cebuano flavor made him instantly recognizable. His performances were fun, fiery, and infused with strong social commentary.
Then came Big Brother.
LIFE INSIDE THE PINOY BIG BROTHER HOUSE
When Budoy entered the famous Bahay ni Kuya as part of PBB Celebrity Edition 1, viewers didn’t know what to expect. He was placed in a batch that included Zanjoe Marudo, Bianca Gonzalez, John Prats, Christian Vasquez, Roxanne Barcelo, Aleck Bovick, BB Gandanghari, and eventual winner Keanna Reeves.
But Budoy quickly became the season’s wildcard personality—eccentric, hilarious, unpredictable. His wit, one-liners, and Bisaya charm resonated nationwide, contributing to the season’s strong ratings. Many viewers still remember him as one of the most authentic housemates ever to join the franchise.
His stint in PBB transformed him from a regional music figure into a national pop culture icon.
A RADICAL ARTIST, A VOCAL ACTIVIST
Although his mainstream fame began in a reality TV house, Budoy never abandoned what mattered most to him: community, culture, and justice. In the years that followed, he became increasingly visible in public demonstrations, especially those involving anti-corruption campaigns in Cebu.
In recent months, Budoy was documented participating in protests calling for accountability over alleged ghost flood-control projects and other local government issues. Images circulated online showing him singing, chanting, and rallying in front of crowds—microphone in hand, dreadlocks swaying, still full of life and conviction.
For many fans, this activist side wasn’t surprising. Budoy had always been political, always outspoken. But in a time when many entertainers fear backlash, his consistency earned him deep respect.
Which is why his sudden death feels heavier, stranger, and for many, painfully “unfinished.”
THE MYSTERY OF HIS SUDDEN PASSING

One of the most unsettling aspects of Budoy’s death is the lack of clarity. No cause was disclosed immediately—not by authorities, not by friends, not even by his family, who had yet to release an official statement. For a public figure constantly under the spotlight, the silence felt unnatural.
Why the secrecy?
Was it a medical emergency?
A long-term condition kept private?
Or something else entirely?
These questions spread rapidly online, particularly among his supporters from Cebu’s activist circles. While no evidence points toward foul play, the absence of details left a vacuum filled with theories, assumptions, and concern. Many hoped his family would soon shed light on what truly happened—if only to give closure to those grieving with them.
A LEGACY THAT REFUSES TO FADE
Regardless of the circumstances of his passing, Budoy Marabiles leaves behind a rich cultural legacy. He helped elevate Bisaya-language music to mainstream consciousness at a time when it was barely recognized. He showed that regional artists could break into the national scene without compromising their identity. And he proved that entertainers could also be advocates, speaking up about issues that mattered.
In Cebu, tributes began pouring in from local artists and community leaders who described him as “a pioneer,” “a warrior,” “a brother,” and “a voice for the common people.” Small gatherings were held in bars and music hubs, where fans played Junior Kilat tracks as candles flickered beside his photos.
Across social media, fans reminisced about moments that made Budoy unforgettable—his reggae rhythms, his wild humor inside PBB, the magnetic stage presence, and the activism that defined his later years.
A SUDDEN GOODBYE
Budoy’s passing at 54 feels abrupt for a man who still had so much to give. From music to activism, he remained deeply engaged, deeply alive. And perhaps that’s what makes this moment so unsettling: one day he was performing at rallies, the next day he was gone.
As the country waits for more details and prepares for memorials, one truth remains certain: Errol “Budoy” Marabiles lived boldly, loudly, authentically. And his influence—whether in reggae, television, or social justice—will echo long after the shock of his loss fades.
He may have left the stage, but his voice is far from silent.